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Writing Whenever You’re Ready

When I listen to songs on the radio, I listen for message and tone.

The ‘love’ songs I often hear often are trying to present some urgent need for accepting love as an immediate adventure, something that could pass at any moment. There are few songs that consider patience a virtue. So I decided that I needed to write a different sort of love song, one that would be accepting of the time and space of the other, and yet would indicate the desire and caring of the lover’s voice in the lyrics.

That’s where ‘Whenever You’re Ready’ comes from. (The ‘meet the dawn’ line is meant figuratively; to help the other get through a ‘dark’ time).

Lyrics and Music by Art Koop (last revised May 7, 2018)

You’re feeling the weight
of a wildly spinning globe
upon your shoulders…

and right now you see
love as another complication

But look at me-
I’m not asking you
to help me carry on…
If you let me in,
I’ll understand
and help you meet the dawn

Whenever you’re ready
to be loved…

Whenever you
Are ready to
Be loved…

Whenever you’re ready
To be

I’m ready to love you. (2x)

The burden you carry
you need not carry all alone. (2x)…

Whenever you’re ready
To be

I’m ready to love you. (2x)

So I say again
lie down, let me
massage your tired limbs –
and if you sleep,
some hope and faith can
shine into your dreams (2x)

Whenever you’re ready
to be loved…

Whenever you
Are ready to
Be loved

Whenever you’re ready
To be

I’m ready to love you. (4x)
I’m ready to love ——

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Avoiding the Letter S (and others) in Lyrics

Writing lyrics for songs is different than writing poetry, or writing a speech. One way is in the choice of words, and letters, to include, and leave out – and why – depending on who is singing and the style of the song.

One of my goals when I write songs for myself is to let my voice shine through, because my low voice is unique and in that way distinctive. One way in which I do that, is avoiding ‘non-voiced’ consonants as much as possible, especially the ‘s’. I would rather have the listener ‘fill in’ the letter s where it belongs psychologically, than write it in. That’s because the ‘s’ is not a voiced letter (f, t and p also fit in that camp), and so it tends to disrupt the flow of sound in singing. Sure, it’s a subtle point… but subtle points count, especially if often repeated.

So it’s true that I don’t sing my lyrics in the same way that I would speak my sentences, but that’s okay with me. Word (and letter) choice depends on a set of priorities, and balancing those priorities matters if I’m going to put out unique music for others to hear. If I were just to put out what people could find anywhere else, in a way that would not be respecting the listener, because I would not be giving people something new to hear. It also would not be respecting any message I would wish to put out, because if something is worth saying then it is worth saying in a fresh way, so that people may have fresh ears for it too.

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The Writing of Get Back Up (Resilience)

I wrote the song ‘Get Back Up (Resilience)’ partly in response to a friend going through a difficult life transition which was not under her control. I wanted to write a song which could be encouraging. One thing I have in common with this friend, is that we are both parents. I’m not sure the song provided the necessary encouragement, actually – her situation is way beyond anything I have ever experienced, and I really hope it doesn’t come across as a ‘pull up your socks’ message, because it isn’t intended that way at all.

Kids are incredibly resilient. Aided by a very short memory, little children try to walk, and they may wham into some furniture and bruise themselves something awful, but before you know it they are up and trying again. Their determination to walk seems to be far beyond their experience of the pain of trying. So, watching little kids trying to learn is inspiring to me, because they don’t know quit. My hope is that others are also inspired.

The lyrics go…

When you see a little baby learning how to walk
at first she fall a hundred time a day.
She will not say maybe this wasn’t meant for me –
she get back up until she learn the way.

She got dirt on her hands, bruises on her face,
but she know deep down that she has got the power.
She don’t know quit, she stay with it
until she find her pace,
and then she go at 50 miles an hour.

She get back up. Don’t you see she’ll never stay down –
she get back up every time she fall.
She may be half the size of anyone else around,
but she get back up and she show ’em all.

Been quite a while now since I was a baby,
but I still stumble, sometime I still fall.
I don’t always know how (I’m) gonna make it through the day,
and I just lean my head against the wall.

I got dirt on my hands, bruises on my face,
but I know deep down that I have got the power.
If someone offers help, okay, but I am gonna find a way,
and then I’ll go at 50 miles an hour.

I’ll get back up. Don’t you see I’ll never stay down?
I’ll get back up every time I fall.
I may not reach the mind of everyone else around,
but I’ll get back up and I’ll show ’em all.

We’ll get back up. Don’t you see we’ll never stay down?
We get back up every time we fall.
We may not reach the mind of everyone else around,
but we’ll get back up and we’ll show ’em,
we’ll get back up and we’ll show ’em,
we’ll get back up and we’ll show ’em all.

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